Born in Buenos Aires (Argentina), she first studied music education at the conservatory
of Buenos Aires. She began her vocal coaching in Jazz and South-American folk music,
after that she continued her studies within the classical genres opera, oratorio and
chamber music under the supervision of Professor Marta Blanco. Furthermore she
practiced music theory and composition with professors Maria del Carmen and Jose
Luis Larzabal, both experienced coaches. Guadalupe Larzabal was member of several
ensembles and choirs in jazz and South-American folk music and performed in
numerous concerts in Buenos Aires. In classical music, oratorio and chamber music she
performed as a soloist in the Scalade San Telmo, in the Teatro Avenida and on several
other Concert Halls in Buenos Aires.
Guadalupe Larzabal made her debut as an opera singer in 2001 in "Les mamelles of
Tiresias” from Francis Poulenc. This was followed by Mercedes in "Carmen"(Bizet) and
Bervoix Flora in "La Traviata" (Verdi), Gertrude in ”Romeo ed Juliette" from Gounod
and Berta in Il Barbiere di Siviglia" from Rossini. Erda in Wagner's "Rheingold ", the
Third Lady in “Zauberflöte” and Farnace in "Mitridate Re di Ponto" are also important
parts of her repertoire.
In 2003 she settles down in Germany where she has her actual residence. She
deepened her musical knowledge e and took vocal coaching and repertoire studies with
Professor Alastair Thompson in Cologne and Graciela Alperyn in Frankfurt. In 2011 she
sings „La Cenerentola“ from Rossini in the role of Tisbe, „I due Foscari“ from Verdi in
the role of Pisana and „La Fille du Regiment“ from Donizetti in the role of Marchese and
with Jorge Cardoso she will perform in Spain and in France. In 2012 she performes as
Ragonde in "Le Comte Ory" from Rossini and as Cornelia in Händel's Giulio Cesare.
She sings with Aris Argiris at the Heidelberg Schlossfestspiele.
of Buenos Aires. She began her vocal coaching in Jazz and South-American folk music,
after that she continued her studies within the classical genres opera, oratorio and
chamber music under the supervision of Professor Marta Blanco. Furthermore she
practiced music theory and composition with professors Maria del Carmen and Jose
Luis Larzabal, both experienced coaches. Guadalupe Larzabal was member of several
ensembles and choirs in jazz and South-American folk music and performed in
numerous concerts in Buenos Aires. In classical music, oratorio and chamber music she
performed as a soloist in the Scalade San Telmo, in the Teatro Avenida and on several
other Concert Halls in Buenos Aires.
Guadalupe Larzabal made her debut as an opera singer in 2001 in "Les mamelles of
Tiresias” from Francis Poulenc. This was followed by Mercedes in "Carmen"(Bizet) and
Bervoix Flora in "La Traviata" (Verdi), Gertrude in ”Romeo ed Juliette" from Gounod
and Berta in Il Barbiere di Siviglia" from Rossini. Erda in Wagner's "Rheingold ", the
Third Lady in “Zauberflöte” and Farnace in "Mitridate Re di Ponto" are also important
parts of her repertoire.
In 2003 she settles down in Germany where she has her actual residence. She
deepened her musical knowledge e and took vocal coaching and repertoire studies with
Professor Alastair Thompson in Cologne and Graciela Alperyn in Frankfurt. In 2011 she
sings „La Cenerentola“ from Rossini in the role of Tisbe, „I due Foscari“ from Verdi in
the role of Pisana and „La Fille du Regiment“ from Donizetti in the role of Marchese and
with Jorge Cardoso she will perform in Spain and in France. In 2012 she performes as
Ragonde in "Le Comte Ory" from Rossini and as Cornelia in Händel's Giulio Cesare.
She sings with Aris Argiris at the Heidelberg Schlossfestspiele.
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Vita